
Film: The Frighteners
Genre: Horror/Comedy
Director: Peter Jackson
Year: 1996
Starring: Michael J. Fox & Jeffery Combs
Jackson has done it again (and by again, I mean he did it fifteen years ago.) Following up his gore-fest Dead Alive, he released The Frighteners. This also marks one of Fox's final roles as a lead character in a film, excluding his voice work for animation. Though significantly less violent than his previous film, it does provide a similar feel, but without a vat of Kayo syrup.

Though not as good as Dead Alive, this film is still enjoyable, and gives some nice horror elements, and atmosphere. But, there are some downsides to the movie. Fox's acting can sometimes fall flat, for as much as I enjoy his work, it seems lacking in some parts of the film. Though, I may attribute this to his having been diagnosed with Parkinson's, and perhaps on certain days during filming, his symptoms may have been worse than others. So, what few slip ups he has can be forgiven.

Also, the fact that this film was made in the mid-nineties does work against it at times. It has much less practical effects in it than Dead Alive did, opting instead to use CGI. Being that this was in the age where filmmakers were starting the transition to more computer effects, their inclusion is obvious. Though in some spots they work well, for the most part they don't. Many of the effects simply do not work, and cheapen the look of the film. Perhaps if Jackson were to go back in and re-do the effects using today's technology, it will be much better.
Memorable moments:
• During a scene when Bannister goes to the natural history museum to try and prevents another murder he is cornered by the police. The frighteners then come and "haunt" the room allowing for him to escape. In the process of trying to apprehend Bannister, the police find a way to destroy almost the entire exhibit of artifacts, and dismember a mummy.
• Any scene with Jeffery Combs. His character is so fantastically written, and portrayed, with a mountain of personality quirks, with which Freud could fill an encyclopedia.

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